This song shows the snakes playing the flute, shehnai, veena what not., Anjali Devi’s intense struggle to produce something close to dance. Strange picturizations have happened in Hindi cinema, and just as I think that it couldn’t get worse, I am pleasantly surprised to be proved wrong yet again. Jhankar Payal Ki – Nag Devta(1957) – S.N.Tripathi At the beginning of the song, the unmistakable sounds of payal are clearly audible.Ĩ. It has lovely swaras and a tarana rendered to perfection by Asha Bhonsle. Chanana Choom Payal Baje – Roopkumari(1956)- S.N.TripathiĪ splendid Asaveri, this song has all the elements of a great song, great classical music for classical dance. He is shown playing the Sarod, Tabla, Shehnai, mandolin,santoor, pakhwaj towards the end of the song.ħ. It looked more like a comedy scene to me :), especially Joy Mukherjee’s antics. I am not sure if the picturization is terribly brilliant. Saaz Ho Tum – Saaz Aur Awaaz (1966) – NaushadĬlothed in beautiful Patdeep (the first two antaras), this is one of the few compositions in this raga. I discovered this song while researching the topic and wow, what a lovely composition!Ħ. A rare use of Jogkauns (sounds like – more knowledgeable readers can confirm). Baaje Re Payal Baje– Hameer Hath (1964) – Shanmukh BabuĪ lovely rendering by Manna Dey in pure classical music. Lata and Rafi have teamed up very effectively to deliver the electrifying taans to perfection. There is a seamless glide to Raga Basant in the antara for a phrase or two. S.N.Tripathi had fundamentals in Hindustani music, and it is evident in this composition.
#Film payal ki jhankar songs full#
This raga is full of Shringara, and used a lot in Hindi cinema. Jhanana Jhan Baje Payaliya – Rani Rupmati(1957)– S.N.TripathiĪ melodious song composed in a very melodious raga Brindabani Sarang. A beautiful imposing statue of Saraswati and the peacock in the background.Ĥ. Sung by Kishore Kumar, this is quintessential MaruBehag, one of the best examples of the Raga. The musical genius of Chitragupta comes to fore here, with an outstanding treatment of Raga MaruBehag. Payalwali Dekhna– Ek Raaz(1963) – Chitragupta There are some characteristic Marwa pakads in this, though Marwa is typically not amenable to such speedy treatment.ģ. Beautiful Tabla, Damroo usages in the beginning of Saira Bano’s dance. A long forgotten gem, and superb music by Naushad. Payaliya Bawari – Saaz Aur Awaaz(1966)- NaushadĪ very different treatment of Raga Marwa (which is one of the ten thaats of Hindustani music), and beautifully rendered by Lata. Note the complex taans rendered with consummate ease and how effortlessly he traverses the three octaves.Ģ. The live mehfil recording of Amir Khan Saheb’s relaxed and brilliant analysis of Adana can be found here. Every rangoli tells a story, and one should notice the sober colours and the artistic appreciation of the director. Shantaram’s fertile artistic imagination,using beautiful Rangolis, has infused so much of life into this song.
The picturization of this song is outstanding. A most beautiful Adana rendering brilliantly by the great Ustad Amir Khan. There are some important points about this song. Jhanak Jhanak Payal Baje – Jhanak Jhanak Payal Baje(1955) -Vasant Desai Begum Parveen Sultana is well past her prime, but there are glimpses of greatness.ġ. “ Jhanak Jhanak Payal Baaje“, “ Cham Cham Baaje Payaliya“, “ Pag Ghunghroo Band Meera Nachi “ are repeating themes,and even a casual listener of Hindi film music will be familiar with it.īefore I start presenting the songs from Hindi cinema, I would like to bring to focus one evergreen Bandish in Raga Puriya Dhanasree, which has been a faovurite with Hindustani musicians for ages. It has been used extensively in Hindi cinema, especially in compositions based on classical music, and this post focuses on the same.
Program: Apni Pasand – Radio signal did not improve much.Payal, or the anklet, has been a favourite theme in Indian classical music and many lovely compositions abound based on this theme. Time: 7.30AM to 8.00AM – Weak radio signal by this time If somebody has it please e-mail it to me.Ĭlick here to listen to the songs of PATANG (1960) But I could not find it on the internet or otherwise. I could listen to the single bhajan only.Īmbe Maa Jagdambe Maa … Tu Hai Sabki – Radio Ceylon (SLBC) frequently plays this bhajan. Time: 6.40AM – Signal became perceptible by this time today.
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